Showing posts with label Gundam. Show all posts
Showing posts with label Gundam. Show all posts

Dec 31, 2019

2019 Year End Review - Anime Side


This is the second half of my Favorites list for 2019. If you wanna see my video game picks then refer to the prior blog entry. 

This year had tons of wonderful and great animes, and really reminded me again why I love the medium so much. While my game play time did suffer quite a bit this year I was mostly able to keep up with every anime season of 2019 and really soak up as many shows as I could. There aren’t really any major rules to my list other than avoiding long-running anime a la Black Clover or Pokémon and the like. The only reason for this is so I can focus on the seasonal shows that may get swept away with the passage of time. If I included all the never ending shonen animes I love this freaking list would be crowded to the brim with it after all.

So without further ado, let’s check out some great anime. 

Ahiru no Sora



The main character Sora Kurumatani is an incredibly short high school freshmen with dreams of joining his school’s basketball team. Unfortunately the school’s basketball club is comprised entirely of dangerous delinquents who have all taken over the club and use it as their hang-out because of the school’s policy that every student has to join a club. Undeterred Sora tries his best to get into the club and stand up against the delinquents who run it, and maybe just hopefully help them turn over a new leaf and become actual basketball players in the process.

This has been a pretty fun sports anime, that also veers somewhat into the “yanki” genre of manga and anime too with tons of fist fights, blood, and beat-downs in-between the times the characters do play b-ball. The series really gives off a lot of 90’s anime vibes despite its more modern aesthetic (a great opening theme from the Pillows certainly helps in that regard too) and I’ve been having tons of fun with this one each week. It is scheduled to run for a total of 4 cours so it’s taking its time and really establishing the entire cast so well. And watching Sentai’s dubcast of the anime has been delightful too, I love they really ran with the delinquent characters and aren’t afraid to swear up a storm and drop F-bombs regularly, it’s just tons of fun to listen to.

Astra Lost in Space


The newest series from Shonen Jump alum Kenta Shinohara, Astra Lost in Space is just what you would expect from the creator of SKET Dance: a hilarious romp through space with a great group of characters that all carry heavy emotional baggage. The series really does remind me tons of SKET Dance, except set in outer space instead of high school, and I am all for it. I laughed, I cried, and I racked my brain behind the main mystery of the series. Just who stranded these kids in space, and why did they want them dead? 

The mystery element is perhaps the most unique twist on Astra that sets it apart from most of Shinohara’s earlier works in Jump, and while no Sherlock Holmes or anything, it is still fairly a fun component of the series that pushes the adventures of the young crew of the Astra beyond just being episodic romps. Definitely recommended for anyone who enjoys comedy and space travel stories.

BEM


The newest entry in the long running Humanoid Monster Bem (Yokai Ningen Bem) franchise that started life in 1968 during the yokai boom largely created by GeGeGe no Kitaro’s huge success. The series has definitely played second fiddle to its clear influence Kitaro, but is a fairly beloved franchise that has still gotten multiple iterations of its own. 

What largely separates Bem from Kitaro is its more science fiction based monsters over the old fashion folklore creepies from Kitaro, and the three protagonists of the series: Bem, Belo, and Bela. These three “humanoid monsters” appear almost human enough but are still freaks in a conventional sense and do not fit into society. Despite being shunned by humans they still choose to protect humanity from other monster attacks in hopes that one day if they do enough good deeds they can be reborn as human too and finally fit in.

This newest series places a lot of narrative focus on the titular Bem, the leader of the group, who honestly was never all that fleshed out in part iterations and sometimes even played second fiddle to the younger member of the trio Belo who probably connected to the younger audience more. This really separates Bem from pasts series as it’s a lot darker and more mature. I would really love to analyze all the animes at some point in the future.

Boogiepop and Others 


The previous Boogiepop anime series from over 20 years ago now, Boogiepop Phantom, is one of the all time great A E S T H E T I C animes, with absolutely chilling horror, downright mystifying and confusing plots, and a heep ton of gore. It’s one of my favorites and it’s also entirely non-canon to the original light novels and is instead a stand alone original anime series. So how does the actual adaptation of the Boogiepop books far then? They’re all right. 

Boogiepop and Others lacks much of the aesthetic nature of the original Phantom series, and keeps a tone that is more consistent to its source material. It’s a series that starts a lot slower and is much more down-to-earth in the beginning before revealing all its pieces and getting into the supernatural aspects. Once it gets going however I found I really enjoyed this more accurate Boogiepop adaptation. Shingo Natsume is a fantastic director and the anime is incredibly gorgeous with his adept work on the series, and the general atmosphere is strange and creepy, and fairy creative without ever going full on horror anime.

The Demon Girl Next Door (Machikado Mazoku)


When I read the initial synopsis for this anime; “a young girl wakes up to discover she inherited demon powers and must now fight against magical girls in order for her clan to be lifted from its curse” I almost downright dismissed it and passed on it because I thought it was being played straight. However I gave the first episode a shot out of curiosity and quickly discovered it was actually a comedy series. A huge spoof on the Magical Girl genre if you will. And a damn good one.

What really separates Machikado Mazoku from the rest of the millions of Magical Girl comedies is how sincere its protagonist is and how low stakes the relative series turns out. Yuko, or Shadow Priestess Yuko, or Shamiko for short (a nickname she despises) is such an airhead and klutz. She can’t accomplish anything and instead of fighting magical girls she ends up befriending the only two she meets. This is such a relaxing and fun series and most people probably missed it because of the Hidive exclusive streaming rights.

Dr. Stone


Dr. Stone was always one of the newer Shonen Jump hits I was curious about but never got around to reading–largely thanks to my rule to not touch anything in Jump until I am certain it won’t be axed. So many bad memories. So many manga I loved dying. Ah-hum, excuse me then. Anyways I heard incredible things about the series, especially from one friend in particular and once it got an anime announcement I was so excited. TMS did a fantastic job adapting everything as far as I can tell too, and the anime has been wonderful. 

Perhaps the most impressive thing to me about the series so far is how it isn’t reliant on battles or typical power scaling escalations like a lot of Jump titles are known for. Instead this is a fun adventure series, that largely focuses on science and the power of friendship and I can really get behind that.

Fire Force (En'en no Shouboutai)


Fire Force came on the scene and dazzled everybody early on in its run with amazing production values and insane fight choreography and animation but as the series went on it got a sort of reputation for being fairly bland and not nearly as gorgeous as when it started. And I kind of hate that. I actually thought the series has looked great throughout its entire run–sure maybe some episodes aren’t action packed exploding set pieces, but the general direction and story-boarding in the show is always beautiful and great looking. There’s an expert eye on the lighting, and each scene flows into each other wonderfully. I also greatly respect and love the slower and more somber pace of the episodes–it really lets all the drama soak in, and you get a feeling that this world the characters live in is not great; it’s fairly suffocating actually, even without all the fires. 

As far as the plot goes, well I suppose that is more subjective; I certainly cannot argue that it is a wholly original story with groundbreaking characters, but I will argue that for what it is it works well and is enjoyable. The cast is fun and interesting, and all have great chemistry with each other, especially Shinra and Arthur who easily carry a lot of the show with their constant bickering despite being allies. I am really happy to see it getting a second season next year.

Fruits Basket (2019)


This is the second adaptation of the popular shoujo manga and a very accurate one at that. Pretty much any fan of the series will easily tell you how the original 2001 anime infamously upset the creator so much because of the changes it made from its source material (both big and small) that she denied any attempts at a sequel. It is definitely no surprise that this anime plays its cards incredibly loyal to its source material and it works great because of it since the source material is so good too.

Watching Fruits Basket again was like talking to an old long lost friend. It was such an enjoyable series to have back in my life and hearing Funimation’s almost entire original cast reprise their roles, even Laura Bailey as the protagonist Tohru, was just magical. This is very much a healing series and every episode felt like a weight was being lifted from my soul. I can’t wait for the future seasons, and I love they are going to adapt the entire manga this time!

Gundam Build Divers Re:rise


Another new year, another new Gundam Build series. These entries have really started to become a regular part of Bandai’s release schedule and I am not complaining. Re:rise is a semi sequel of sorts to last year’s Build Divers, a show I put on my favorites list a year ago too. Despite this you thankfully do not need to watch the previous show to fully understand Re:rise, as it is largely just set in the same world and instead has its own original characters and disconnected plot. 

And what a plot it is! Re:rise’s plot is fantastic, and its characters are so much fun with great chemistry. Re:rise’s cast is the oldest group of protagonists we’ve really seen in a Build series which gives it a much more mature tone than all the previous entries, with higher stakes that mean more than they ever have in a Build series. This show honestly on par with the main Gundam series at times and it drew me in so much. I loved every episode and want more, and hate that it ended up being split cour and we have to wait! The last two episodes of Re:rise particularly are huge gut punches that push the show beyond all expectations and really stick with you. This might just be my love for Gundam but this was easily one of the best animes I watched all year.

Gundam The Origin: Advent of the Red Comet


So is this cheating? Technically speaking Advent of the Red Comet is just the original Gundam The Origin OVA series (2015-2018) sliced into a 13 episode TV show format. And I watched most of the OVA back when it was released already too (I still needed to catch the two Loum Arc episodes before this came out though). But goddamn, rewatching all of Origin again in TV show format was so excellent. So I don’t care! This was one of my favorite shows to catch each week, and don’t at me. YAS’ contributions on the Gundam universe simply cannot be overstated, and his work with Origin was so excellent and talented that it gives the entire series a feeling of true cinematic sophistication–something the original cast and crew all desperately wanted when they first created Gundam! 

Also, it gave us the greatest Opening theme of the year and honored the 40th year anniversary of the legendary franchise while doing so. You can’t beat that.

Kemono Michi - Rise Up


In this isekai parody series the protagonist Genzo is a pro wrestler and animal lover aficionado summoned to another world to save it from the Demon King. When told that in order to do so he would have to slaughter countless magical beast he refuses and german suplexes the very princess who summoned him! There’s no way Genzo will ever harm any animal, they are far too precious. Trapped in a fantasy world Genzo makes the best of it by capturing and training all the magical beast and opening up a pet shop so they can find their forever homes. Even more hijinx ensure. 

Kemono Michi is notable for being a new series by the creator of the beloved Konosuba, and it both shows and doesn’t show. Kemono Michi is another isekai parody series but it’s largely its own thing and a lot of humor is pretty different from what you would expect from Konosuba. People coming into the show looking for more Konosuba will probably be disappointed but for anyone just looking for a good laugh and don’t mind how different it really is they will have tons of fun. Genzo and crew are hilarious and the series’ genuine disinterest in the classic save the fantasy world plot is really refreshing. Sure the Demon King is out there slaughtering millions, but that’s not Genzo’s problem, somebody else can get on it, he’s busy trying to run a pet shop of his dreams. 

Unfortunately said pet shop only sells the typical JRPG monsters you encounter and not real animals …

Miss Caretaker of Sunohara-sou


So this might be another cheat as Sunohara-sou did indeed originally air in 2018 however it was locked up in streaming prison and nobody could legally watch it until this year thanks to Funimation’s newest deal with Bibibili. I ended up really enjoying it this year and watched every episode back-to-back with Fruits Basket. As I mentioned earlier Fruits Basket is a healing kind of show and I felt the same for Sunohara-sou. It was a really relaxing and cute show that made me super comfortable and chilled out before I had to go in to work for my worst shift of the week.

MIX Meisei Story


Mix is the newest anime adaptation from the legendary manga-ka Mitsuru Adachi and also a sort of sequel to his seminal work Touch (1981-1986). Set thirty years after Touch and with a largely different cast of characters but still in the same town that Touch took place in, this series is fairly easy for anyone to get into but also extra rewarding for long time fans who will pick up on more smaller things that while not important are there in the background. 

The brotherly relationship between Touma and Souma is what drives the core of the series and much like the twin protagonists of Touch Tatsuya and Kazuya their ambitions to make it to Koushien and play in the Nationals and love for baseball is unmatched. Touma and Souma aren’t just rehashes of the original two protagonists and by in large this has to do with Mix not incorporating a certain major plot twist Touch is famous for but I will refrain from talking about. With all that said you get a lot more interaction with these brothers than the original series and it is simply delightful. 

Mix brings in the classic great character writing, and sense of youth that Adachi is always known for, and he is a true master at writing high school romance and sports manga by this point. It’s been an actual decade since his last anime Cross Game and the wait was worth it. Man, now I just need a Season 2!

Mob Psycho 100 II


MOB IS BACK!!! Need I really say more? The entire staff that worked on Mob is phenomenal, and really Bones is showing the best of the industry with both seasons of this series. But what lies at the core of Mob even more so than the amazing and unique art style and fluid animation is the wonderful character driven writing of indie writer ONE who started his career online and not with a major publisher. ONE is a master at not just comedy but characters. Watching all our best boys grow and learn in Mob has caused me to literally cry. Just the first episode of this season has shown how much Mob has grown as a person and how he is maturing. Mob you’re becoming cooler and cooler every episode, you little adorable awkward dork. 

One Punch-Man Season 2


Man, OPM2 was thoroughly destroyed when it came out earlier this year. I largely definitely understood why though as the production of this season is such a major downgrade in every regard to the amazing work the crew did on the first season and it seems shifting from Madhouse to JC Staff really did harm the series in the long run. I didn’t even bother when it aired in Japanese because of that and have only just recently started to watch it after it got dubbed and put on Toonami. And I have to say … it really isn’t that bad.

Maybe the dub version is using the more finished home video release footage over the original TV airing but I don’t think it’s really at a level of horror story (if anything look at Arifureta from this year too). Is it worse than Season One? Yup. Does that fact suck? Oh yeah. But the same heart is present from the original series in this season. I am surprised how badly it went because I am really loving this. ONE is such a talented writer and seeing his work animated never disappoints, I guess.

Outburst Dreamer Boys (Chuubyou Gekihatsu Boy)


This is another fairly funny series that seemed to fly under everyone’s radar and I assume that yet again the main culprit for this is because of the Hidive exclusive streaming. It’s a shame the platform is easily missed by so many considering its plethora of great content and tons of exclusives it’s been snagging up lately. *ah-hum* I promised I was not paid for that shill just now, sorry. 

Anyways, this is a comedy about a young girl Mizuki Hijiri who just transferred into a new school. All she wants is a normal high school experience but she is unfortunately adopted by the local Hero Club at the school more or less. Now the Hero Club is nothing more than a bunch of chunni boys going around doing all sorts of crazy and hilarious things and hijinks ensue. This is a fairly straight forward premise but largely carried by just how funny the characters are. It’s nice simple laughs that lead to feel good conclusions at the end of almost every episode.

The Promised Neverland


Everything I said about Dr. Stone I can pretty much repeat about Neverland as well. I was so impressed with this series although it started off fairly simple it really grew into something far more sinister and ambitious. The ending of the season I did not see coming, and the creative team behind the manga’s bravery to move past the status quo instead of just milking it for all it is worth is applause worthy. Really looking forward to the next season. 

Speaking of–if you don’t mind the tangent–this must just be the year of Shonen Jump or something, though, am I right? Dr. Stone, Neverland, Astra, wow Shueisha really is killing it this year.

The Quintessential Quintuplets (Go-Toubun no Hanayome)


On the surface the Quints (as fans call it) is nothing more than a basic cut and dry harem set up where one guy has to tutor five beautiful girls who all just happened to be sisters. Like damn I think I might have played this game in high school and it was naughty! But Quints is surprisingly deep and a lot more than just that. It’s by no means a masterpiece in anime romance story telling but I was thoroughly blown away by how restrained it really was and how well written each of the heroines are. This is a really cute series that’s just easy to watch and appreciate it for its simplistic but well crafted story.

Radiant (Season 2)


Radiant is back and is having a much better start than the first season ever did a year prior. This current season has had significantly less filler and is much closer to the manga in its story which makes for an improved viewing experience and is noticeably a lot more mature now. The original season of Radiant struggled with how much filler and changes to the plot and characters it piled on in its early run. That really made the series seem more cliche and simple than it really is and because of that it had a lot of difficulty in finding an audience early on who may have (rightfully so) dismissed it based on those early fumbles. Early Radiant anime somewhat reminds me of the start of the Black Clover anime in this regard, actually. 

It wasn’t until the first season moved on to one of the earlier big picture story arcs in Rumbletown that it really started to come together and let the source material shine through. Seeing season 2 maintain this relatively same quality since its very first episode is promising. The character interaction is much improved, and Seth’s journey only gets more complicated from this point on in the story as he learns more about nemeses, magic, and his own past. It’s a great battle manga finally given some real justice with its anime and I really have been digging season 2.

RobiHachi


RobiHachi is Diet Space Dandy and in a world where Space Dandy is only 26 episodes and that’s it, that’s a good thing! We need more Space Dandy!!!

While not even close to the animation powerhouse of Dandy, or the experimental nature of how it changed directors constantly, RobiHachi is very close in the same sort of style and humor of Dandy. It’s essentially a buddy series where two men Robby and Hatchi end up on a voyage through space together and get into all kinds of crazy adventures along the way. It’s a nice little series that helps fill in the void that Space Dandy left after it ended in 2014.

Run with the Wind (Kaze ga Tsuyoku Fuiteiru) 


Run with the Wind, based off a novel of the same name is a series about a disheveled track and field team trying to run the Hakone Ekiden, a world famous (or infamous) race that is extremely grueling and has destroyed many young athlete and potential Olympic runners sports careers in the past. Despite all this team leader Haiji pursues his dream of racing down this grueling track and will stop at nothing to run it, even if he has to make an Olympic quality team out of rejects and losers. He often butts heads with protagonist Kakeru who views the world very differently from Haiji and thinks he needs to accept reality already and give up this pipe-dream. 

Run with the Wind is utterly fantastic, and a show so many people slept on. I honestly don’t even know why! Because it’s about running, I guess? Really, there is no excuse! What are all of you guys doing missing this show?! What separates it from a ton of the other sports anime peers is a few things, on the surface level there is the University setting and older cast. All the characters are young adults, and plenty of them are 20-somethings at the phase of their lives where they need to find their first real career and figure out how to live. But at the heat of Run with the Wind is a far more serious dialogue about being an adult and facing reality vs pursuing your dreams and what the limit of hard work should mean. This is far more than just a series about running. It’s about the weight of the dreams we all carry with us and the weight of the friendship and bounds we all form. And what weight we should carry and what we should let go. 

This was an incredibly emotional and impactful anime series and I am super happy to see it receiving an upcoming dub next year from Sentai, it deserves it!

Senryu Girl 


This series of short 12-minute episodes was one of the most adorable series in 2019 and always managed to make me smile. Senryu Girl stars Nanako, a girl who because of her incredible shy and introverted nature never speaks and only communicates through senryu poetry she writes. Nanaka hangs out with Eiji, a local delinquent that most of the school fears but is in fact a huge softie and a major fan of poetry–he even belongs to the same poetry club as Nanaka. Together the two write poetry with each other, go on dates, and get into all sorts of adorable situations.

True Cooking Master Boy (Shin Chuka Ichiban!) 


In this semi-remake, semi-continuation of the classic 1997 Cooking Master Boy anime we follow the youngest super chef in all of China Liu Mao Xing, as he takes on the dark Underground Cooking Society who seek to control the entire world through their cooking and beat them at their own game.

I think this series is best described as Food Wars!/Shokugeki no Soma but instead of being incredibly horny it’s a martial arts film. I didn’t really follow the original anime series but definitely plan to get around to finding it after watching this newest series. I really enjoyed all the cooking battles that have been shown and the characters are all excellent.

Vinland Saga


Vinland Saga is an artistic marvel and this anime adaptation fully lives up to its legendary manga’s reputation. 

Every episode of Vinlad was so damn compelling, and this feels like what the previous Berserk series should have always been like instead of the infamously janky CGI animation and knife to the page cutting scripts it got. Vinland is such an emotionally powerful series that can be carried by its own characters alone even during long stretches of episodes that lack the adrenaline fueled action fests for the eyes that it has. Honestly the less said about Vinalnd the better, as it’s an experience you should go into fresh without knowing too much about it. But oh boy, I am still reeling for that finale, it was downright terrifying and therapeutic. 

This is easily a major highlight of the anime industry in 2019.

Wasteful Days of High School Girls (Joshi Kousei no Mudazukai)


I’m starting to notice a pattern where I talk about comedies a lot, but I guess that just is my taste in entertainment, huh? This series is also another pattern too, the Hidive exclusive nobody watched. I know, I know, let’s just get on with a few words about the show. 

Wasteful Days is downright the most hilarious anime of 2019. I guess I ended up saving the best for last, as every episode would have tears rolling down my eyes from laughing too hard. The basic premise of a classroom full of a bunch of weirdos is super uninteresting, and on the surface if you read the description it doesn’t sound like anything special but don’t be fooled. The whole damn series is constantly hilarious and ludicrous. There isn’t a single minute of screen time where you aren’t falling over and laughing at the stuff happening on the screen.

Welcome to Demon School Iruma-kun!


While not as funny as Wasteful Days, Iruma-kun is also another great comedy of the year, and I would be remiss not to mention. The series has a more fantastical element what with it being a demon school in the Netherworld, and poor Iruma, the only human boy in the school is trying his hardest to not stand out and get eaten by all the demons but he just can’t stop being incredible at everything in the demon curriculum somehow. This is a great little funny series, and the dub made by Curnchyroll is equally hilarious. I really recommend it especially for anyone who is a fan of Disgaea.

Feb 20, 2019

Mobile Suit Gundam Narrative - One Night Movie Premiere


If you told me ten years ago that I would be able to regularly watch anime movies on the big screen in theatres I would have surely not believed you. Besides maybe a few Pokemon movies or an occasional film in some mega franchise I don’t particularly care for such as Naruto, the prospect would probably seem alien to me even. So it’s funny how times have changed and how anime screenings in theatres is becoming increasingly more common in North America. Just last month I was able to watch the phenomenal Dragon Ball Super Broly film in a packed theatre with a ton of other nerds and it was a delightful experience. Before that I got to see the fun anime version of Die Hard known as My Hero Academia: Two Heroes, and before that a love letter to Go Nagai known as Mazinger Z Infinity! Now only a month after Broly I get to watch an honest-to-God Mobile Suit Gundam motion picture in a theatre too? I feel like the luckiest guy alive. 

If I am being honest, I actually hate going to the cinema most of the time, and spent many years avoiding doing just that. I was always the type of person that was happy enough to rent a movie once it released on DVD/BD and that was the extent I would need out of cinema at large. The only exception I started to make was when Disney purchased Star Wars, and that was more out of fear that ravenous fans online couldn’t keep their mouths shut than it was about anything else. Over the years however I started to develop a greater appreciation towards movie theatres at large and a lot of that has to probably do with anime. As I began to become a serious collector of anime and made the transition from my old DVDs to crisper BDs I realized I was at the point where as a fan I wanted the most out of my all time favorite movies--because these were not just my favorite anime movies but my actual favorite movies, and that’s when I realized I truly wish I could have seen them the way they were meant to be; on the big screen, with an insanely powerful surround sound system, wth fans all gathered around cheering at the best moments. I will probably never get this experience for Akira, or Galaxy Express 999, or the many other films that mean the world to me now, but I can get the experience for future movies, so I don’t want to miss out ever again. 


Gundam is one of my favorite franchises from my childhood. As a young kid I fell in love with the amazing robot designs and was blown away at the prospect of an anime that just felt so different from DBZ, which besides Pokemon was probably my only real understanding of anime at that age. As a teen and young adult especially the franchise became increasingly important to me and left a lasting impression on my psyche. I can’t tell you my favorite Gundam series nowadays because the answer will probably be different every time. Maybe I’ll say the original Mobile Suit Gundam, warts and all, it’s everything I love about anime from the 1970’s and to this day I still love the original Ocean Group dub from Canada. This dub while wooden and showing its age terribly will forever be etched in my mind as the definitive voices for most of the Universal Century characters despite Shuichi Ikeda butterly smooth, ecstasy inducing voice in most of the Japanese series. Maybe I’ll say Zeta Gundam as Kamile was a character my younger self identified a lot with and the series as a whole left a very strong impression on me. Maybe I’ll say Turn A Gundam, a beautiful psychedelic series that displays some of the best writing from series creator Tomino. 

So yes, having a chance to see any Gundam film in theatres was something I couldn’t miss. Even if said film ended up just okay it wouldn't matter, as not in my wildest dreams did I actually think I would get this opportunity. I figured the closest I would ever be to seeing Gundam on the big screen would be if I happened to be in Japan for some reason around the time a new Gundam OVA or film was being screened. When Gundam NT tickets went on sale for North America I bought them the day online orders were opened and was even the first person to buy a seat at the theatre (thanks to reserved seating I could see nobody else had bought a seat yet). It didn’t matter to me that I had to drive 45 minutes to the cinema, nor did it matter to me that I honestly knew nothing about Gundam NT, I just wanted to experience Gundam this way at least once in my life. And so last night I made the trek across the city and finally got to see Gundam like I never have. Now I have decided I want to share some of my thoughts and impressions about it. This won’t be a formal review, nor is it meant to be, as more or less I’m just exposting some of my thoughts, off the cuff.


First a little background information. Sunrise’s current "UC NexT 0100" project that tackles the next century of Gundam’s UC (Universal Century) timeline as well as their ambitious promise to deliver a new theatrical Gundam film every 1-2 years from 2018 onward is something to behold, so it’s no big surprise to me that the first film to kick off both of these initiative would be a sequel to the highly acclaimed Gundam Unicorn OVA series. Saying Sunrise is kind of on a Unicorn kick right now would be an understatement after all. I actually don’t mind this so much however like a lot of people seem to, as Unicorn deserves all the praise it got and there is no two-ways about it being a pivotal factor behind Sunrise’s returning commitment to the UC timeline again after releasing nothing major in it for nearly a decade. Gundam Narrative serving as a sequel to Gundam Unicorn is something I am totally neutral about. 

My greater concern going into the Gundam Narrative film was more that Gundam and films have a pretty rocky history. Honestly most Gundam movies tend to be more on the awful side. If I had to rate all the ones I’ve seen I would probably only say Gundam Thunderbolt: December Sky and Gundam Thunderbolt: Bandit Flower are fantastic, the original Mobile Suit Gundam film trilogy is an excellent compilation movie series and a good enough replacement for its own television version, the Zeta New Translation films are incredibly disappointing and omit too much, Char’s Counterattack is a hot mess that barely makes a lick of sense, Gundam F91 would have been a fantastic TV show but as a movie it makes me sad, A Wakening of the Trailblazer is okay but also undone by its own weirdness, Endless Waltz is what you would expect out of Wing, the Turn A compilation movies are pointless, and G-Savior sure was … a thing that exist. 


Well I am happy to say Gundam Narrative is among the rare films for the franchise that I thoroughly enjoyed from start to finish! A lot of this has to do with the scale being relatively small versus the usual scale in Gundam films that are way too big for their own good. Narrative’s laser focus on chasing after the missing Unit 03, the Golden Phoenix sibling to the two Unicorn and Banshee units we’ve seen in the previous Gundam Unicorn series allows it to tell a story largely separated from politics and the world at large--and let’s the characters become the main focal point of the film like any good movie should. 

This aspect alone is missing from so many other Gundam films and is partly why so many fail at being a good viewing experience. I’d say the few that do find that focus, mainly the Thunderbolt series of films and the original trilogy of movies made from the 1979 TV series are the best in the franchise’s filmography. A ton of other Gundam films tend to be bloated as well with rather boring middle sections, so the brisk fast pace of this 90 or so minute runtime for Narrative was a welcome relief. There are some awkward cuts to the film sure, but honestly I felt this beat sitting in the theatre for two and a half hours bored at the long winded middle section that goes nowhere like some previous Gundam films are especially guilty of. This was just enough time to tell a story of this scope properly. Of course the characters and scope of the story isn't enough to carry an entire film so the fantastic soundtrack from returning Unicorn composer Hiroyuki Sawano helped to sell a lot of scenes in the film as well.


The biggest factor that made Narrative for me however had to the film’s focus on the more metaphysical aspects of Newtypes. Despite my disliking of a lot of Char’s Counterattack I still find the more psychedelic (so to say) aspects of it to be fascinating, just as I always have when such spiritual topics have shown up in prior Gundam works by Tomino and the many teams at Sunrise. While far from perfect I always enjoyed this kind of kooky spiritualism to the Gundam universe, a sort of new age 80’s science fiction interpretation of the soul would be the best way I can describe it but there’s no real way for me to do it justice nor to make it not sound ridiculous. Since Tomino has left a lot of Universal Century Gundam series have focused more on everyday soldiers instead and not so much on Newtypes, the future evolution of mankind, and the soul. In fact I always felt Sunrise somewhat shied away from a lot of these aspect to Gundam since then, so when we got to see this aspect return near the very end of Gundam Unicorn it was a nice treat to me personally. Having it permeate almost the entire runtime of Narrative’s story had me over the moon. A lot of people disagree, and more power to them, but I just can’t get enough out of the spiritual aspects seen in Narrative. 

Gundam Narrative being a modern UC timeline production means it of course has references and lore connections to a ton of other classic Gundam series and moments. I really enjoyed most them even if they were just silly fan service moments. I love that we got to see the famous Colony Drop drawn with modern day high budget animation and it wasn’t just reused old footage. Getting to see clips of the Psycho Gundam ravage Hong Kong City was a joy on the big screen even if it lasted only about 10 seconds. I loved that we got to hear some of Char’s Dakar speech again in Narrative--this gave us an opportunity to hear Keith Silverstein, the modern English voice of Char since 2010 handle this legendary speech of his from Zeta Gundam. Speaking of the English dub my favorite performances were definitely Griffin Puatu’s portrayal of the protagonist Jona Basta that had to carry a lot of the emotional weight of the film and Stefan Martello’s portrayal of the off-the-walls insane Zoltan Akkanen who was just a pure fun villian that ate up every scene he was in. The Narrative Gundam itself being a reworked prototype of Amuro’s Nu Gundam from Char’s Counterattack 4 years ago was also a fun way to fit another Gundam into this time frame and I love it gave us such a classic looking Gundam in the Unicorn era of the franchise. 


I had almost zero expectations for Gundam Narrative, and all I really wanted was the big screen experience for Gundam. As someone that loves the psychedelic spiritual aspect of Tomino’s old works, and someone with zero expectations that a Gundam movie can really be all that good anyways I walked away from that theatre last night loving what I saw. Gundam Narrative has me personally excited for the future of Gundam films, especially if it means we may see more theatrical screenings in North America for said films. This is probably not a film for everyone, and is definitely heavy on both your love of Gundam Unicorn and your love of some of the craziest stuff Tomino would whip out in his heyday of working on the franchise, but if you’re like me I think this one will be a lot of fun, even off the big screen.

Dec 31, 2018

My Anime Picks for 2018


This is the second half of a two part blog series. If you missed the first half on my favorite video games of 2018, then you can read it here, otherwise please enjoy checking out some of the anime I liked the most in 2018. And for those who need a refresher, or just aren't interested in my gaming list, please remember that I do not think myself in any way shape or form an expert, and this is just a personal list I made up for my own amusement. Other than that just like the year before I am avoiding listing sequel seasons and won’t be talking about a long running anime unless it started this year in 2018--so even if I thought a show from a prior year--such as Black Clover--had a great run in 2018, I won’t be acknowledging that here. This list would just be too much of a mess if I did! Everything is presented in alphabetical order to so as to avoid ranking my chooses.

Devilman Crybaby


Devilman Crybaby began 2018 off with a huge bang, and was able to maintain its number one spot in my heart the entire year, an impressive feat considering its January premiere and just how good Megalo box, Planet With, and GeGeGe no Kitaro turned out. I wrote so much about Devilman already this year that I honestly can’t bring myself to sing any more praises for it by this point, but it definitely deserves all my praises and more. Crybaby was an absolutely beautiful and chilling re-imagining of a true classic, done justice by an auteur creator. If you want to read a bit extra about it, check out the piece I wrote about Devilman in my Halloween series this year.

GeGeGe no Kitaro

2018 marked the 50th anniversary for a lot of legendary properties and legendary creators. This was Go Nagai’s 50th anniversary as a comic artist, and the 50th anniversary of the Ashita no Joe manga, but perhaps one of the most important of the big 5-0 anniversaries this year was the 50th anniversary of the GeGeGe no Kitaro anime series. After the passing of comic legend Shigeru Mizuki in 2013 there is something all the more meaningful to see Kitaro on the small screen again--even after his creator’s passing Kitaro is still there to grow up with another generation of children. This is another anime series I talked ad nauseam about during my Halloween series this year, so I don’t want to go on too much now, but I will say this has easily been the highlight of all my Sunday mornings since it started in April, and this is the series that Mizuki and his legacy deserved. It’s doing one hell of a job kicking most “adult” anime's asses in terms of writing quality and animation, all while still being a kid show. It never talks down to its young audience either and tackles some really modern issues such as smartphone overuse, bullying, refugees that lost their own country, and even suicide.


The Girl in Twilight (Akanesasu Shoujo)

The Girl in Twilight is pretty much the last thing I expected but somehow I came around to really enjoying it. From the mind of Kotaro Uchikoshi, the creator of the Zero Escape, comes … well .. ah … a magical girl show? About traveling to different parallel worlds? Where hijinks ensue and it’s more a story about growing up? Yeah, this … is a hard one to explain, and not really what I would expect with Uchikoshi’s name attached. I mean 999: Nine Hours, Nine, Persons, Nine Doors, this is definitely not, but well, this isn't half bad. The science fiction elements about radio frequencies and different worlds definitely feels like something out of an Uchikoshi game and all the all girl cast is actually very charming and sweet. I got really invested in seeing them grow up and face their inner problems. So a weird show, and nothing too special either, but this really grew on me personally.

Gundam Build Divers


The original Gundam Build Fighters anime in 2013 was like a phenomenon that caught literally everyone off guard. This silly little kid’s show meant to sell toys was somehow one of the best anime the year it aired and was made with so much love and attention to detail that it was a better anniversary present to the Gundam franchise than some of the actual anniversary celebrations. Ever since the original fans have been pretty divisive on the sequels, and while Build Divers is still not the original, I think it’s the closest we've come out of all the past sequel seasons and OVAs in the “Build” sub-series. I really enjoyed the Virtual Reality angle of the series, and thought the creative team did a lot to give the series an identity of its own instead of feeling like a dull retread of the original Build Fighters like Try did. So wrap that together a great main cast, and some pretty fun team battles and I say this was a win for Gundam fans.

Gurazeni: Money Pitch


Gurazeni is an anime I think most people never gave a fair chance. What seems like a basic sports series with a weird focus on money turns out to be so much more. It’s an inside look at the professional world of Japanese baseball, where you can really learn all the ins and outs and what makes the business end tick. The most interesting part however is that this is not your usual series starring a High Schooler with some grandiose dream, but a cast of adult professionals, many of which are just struggling to get by and stay in the game. It’s a completely different kind of feeling. 

Professionals play some 100+ ball games a seasons. With that many games it’s not like they are all hot blooded screaming matches and if you lose once you’ll be out of the tournament. You gotta play smart, you got to think about your stats during the season, you gotta make sure you secure your spot on the roster for next year, if you excuse the horrible pun, this is a whole different kind of ball game. That’s what made Gurazeni so much fun every week, it’s more a calm collective observation about life in the major league for most players who aren't big celebrity stars instead of the usual shonen anime fair with some hot shot kid with a dream. I greatly enjoyed every laid-back episode of this show.

How to Keep a Mummy (Miira no Kaikata)

Cute!!! This is probably how I can define every single episode of this quirky pet comedy anime. Whoever knew mummies, dragons, and ogres could make such adorable pets. This was a basic “feel good” slice-of-life series where not much ever happened in each episode but it was such a nice reprieve from real life that the audience wouldn't mind. You didn't watch this for the plot, you watched this to just relax and smile for a half an hour, and How to Keep a Mummy accomplished this goal expertly. 

Karakuri Circus


Karakuri Circus is maybe one of the most underrated anime of the year, and it’s a darn shame considering the attention Ushio & Tora was eventually able to garner. Hopefully Karakuri Circus can one day get the same kind of tight knit following that its predecessor did. And if you couldn't tell already, Karakuri Circus is based off a manga by Kazuhiro Fujita, the creator of Ushio & Tora. Both series share the same well written and fleshed out character writing that Fujita is known for, and for fans of Ushio & Tora there is also the bonus treat of one of the three main protagonists, Narumi Kato, is literally just Tora from Ushio & Tora. The two characters share very similar appearance (when Tora was a human) and have the same personality. The Karakuri Circus anime even went the extra mile by casting the same exact actor for the roles. 

Unfortunately Karakuri Circus has the unenviable job of trying to adapt a weekly manga that is 43 volumes long in just 36 episodes, which means a lot of stuff has to be skipped over, condensed, and simplified, but for those of us who are watching I think we can all agree the studio is doing a great job at picking what to animate. The pace may be very brisk, but it sort of has that OVA kind of feeling to it with how fast it moves. You know, how a movie or an OVA can seemingly get so much story told in just a couple hours versus how a TV show may tell a story over the span of multiple months. Karakuri Circus definitely feels more like the former than the latter. 

Even with its faults however, this anime really shouldn't be as passed over as it has been. Karakuri has the most heart and it’s easily the most ridiculous and fun shonen battle anime airing right now, and that’s saying a lot considering JoJo is airing right now too!

Lupin the Third - Part V


As somebody who was greatly disappointed by Lupin the Third Part IV I came into Part V expecting more of the same, but walked out blown away! This is everything I wished Part IV was, and it seems like the staff really learned from all their mistakes and were able to come together to make a very memorable Lupin series. My favorite has to be all the anniversary episodes that feature Lupin in his old jackets and the animation style changing over to how each previous series was animated. As a long time Pink Jacket Lupin fan I was in heaven, it’s probably been about 20 years since Lupin acknowledged the Pink era! Glad they were able to have so much fun with that particular throwback episode. 

Megalo box


As mentioned earlier, Megalo box is the 50th anniversary project for the Ashita no Joe manga series, and one hell of a fantastic anime to boot. Everything from the animation to the music is top notch and invokes the feeling of the late 90’s and early 2000’s era of anime. It’s both nostalgic and new, and I think that’s a great way to pay homage to such a classic series. Megalo box is its own thing entirely while also reinventing many of the great moments from the original Ashita no Joe like some mirror that both reflects and distorts--it’s Ashita no Joe, it’s Megalo Box, it’s a classic reborn, it’s like nothing you have ever seen before. Megalo box is such a wild ride with thought provoking episodes and a crap ton of adrenaline rushing fights, and I can sing its praises all night if you let me, but the less said about each twist and turn, the better, so I think I’ll leave it at that. Easily one of the best anime in years, and had it not been for Devilman Crybaby it probably would have had my number one spot.

Mr. Tonegawa: Middle Management Blues (Chuukan Kanriroku Tonegawa) 


Mr. Tonegawa: Middle Management Blues is one of those weird spin-offs where you don’t really need to be familiar with the source material because … well it’s barley like the series it spun off of. This comedy centered around the Kaiji manga side character Yukio Tonegawa is best described as office humor, and it’s pretty straightforward with its premise of a hugely important businessman and his daily woes at his job. It’s sharp witted, and pretty funny but I think what made this series special to me was because it was the first “dubcast” anime from Sentai Filmworks I watched on Hidive, and I have enjoyed hearing all these different dub actors each week. I've gotten pretty use to hearing the Funimation and California based dub actors in weekly dub premieres, but hearing Sentai actors is quite something, and damn does this dub knock it out of the park. The real MVP of the show is by far David Wald as the narrator who can manage a laugh out of anyone no matter what the dialogue might say.


Muhyo & Roji’s Bureau of Supernatural Investigation


Muhyo & Roji is a Shonen Jump manga from 2004 that never really got its due credit. The manga was popular enough to maintain its spot in the magazine for many years but it never got an anime until this year. Was it worth the wait? Well, yeah, this is a classic Jump battle horror manga, with some good creepy monsters, and fun battles. I really enjoyed this show and I’m glad Muhyo & Roji finally got their moment of spotlight on the small screen. It brought back a lot of warm feelings from the early 2000', almost like a lost show from back then that I missed!

Planet With


Planet With is weird. It involves a giant cat monster eating a young boy and turning into a super battle robot that said boy pilots and uses to get his revenge on the psychics who protect the earth from evil invading aliens. That’s … sure is something, but it’s just what you would expect from an original story penned by Satoshi Mizukami, the creator of cult hit manga Lucifer and the Biscuit Hammer and Spirit Circle. Just like Megalo box this is a bit hard of a series to talk about without spoiling all the best moments, but just know, the plot twist keep coming, and the game keeps changing, and everything gets more and more insane, and more awesome. This is one hell of a ride, and was also a major contender for my number one spot, personally. It's a show that anyone who enjoys the werid and anyone with a sense of humor definitely has to check out. You may come for the humor, but you will stay for the well written character moments ... and giant cat robot battles.

Skull-face Bookseller Honda-san (Gaikotsu Shotenin Honda-san)


Have you ever worked in retail? Well Skull Face Honda knows your pain! This skeleton man has been stuck working in a book store and has all kinds of stories to tell. This humorous look into the life of book salesmen and the manga market is a fun little series. There’s tons of insight on not just the retail industry but also manga publishing companies as well. It’s a great little short anime that packs a lot of laughs. 

Tada Never Falls in Love (Tada-kun wa Koi wo Shinai)


Tada Never Falls in Love reunites most of the staff from the popular 2014 anime series Monthly Girls' Nozaki-kun, and features a lot of the same kind of humor and characters. It’s a very laid back anime for most of its runtime, which lets the romance bud between the two leads at a more believable pace, and the final payoff is heart wrenching. As someone that has fallen in love with the wrong person in my past, I know all too well how much it can hurt to begin to harbor feelings for someone you know you can never be with and that heck you should never be with. The final few episodes of this series packs such a punch to the gut, and it’s really what won me over.

We Rent Tsukumogami (Tsukumogami Kashimasu)


Did anyone besides me actually watch this anime? It got no love whatsoever and that always bummed me out whenever I watched an episode. It’s such a cute episodic show about a rental store that has tsukumogami, or inanimate objects that have souls and can come alive. Every week a tsukumogami is used to solve some sort of problem in the neighborhood, and it’s just a delight to see how these little dolls, tobacco pipes, and combs can be used to find out everything from cheating husbands, to phantom thieves. Of course the real treat is seeing how all these episodic stories eventually weave together into one greater narrative, and that characters often become reoccurring within the neighborhood, so even after their own episode is solved they still have roles to play within the greater story. You can really tell this anime started life as a novel, it’s so well written. 

BONUS ENTRY: -Biggest Anime Surprises-

Perhaps the biggest surprise for me personally this year for anime was that I actually spent more than any human ever should on the Legend of the Galactic Heroes blu-ray box set. No kidding, this thing haunted me most of the year, and makes for one hell of a conversation starter. “Yeah, I am one of the few 1,000 elite that own Legend of the Galactic Heroes in English, what of it?” I say, while my guest stare at me confused as to what the hell Legend of the Galactic Heroes even is and why there is apparently only 1,000 of it to go around. 


But in all seriousness now, Sentai Filmworks really impressed me personally this year. Their hidive streaming service has become one of my favorite to use this year to stream anime, and I watched so many great classics on it; Legend of the Galactic Heroes Gaiden, Blue Gale Xabungle, Space Runaway Ideon, Glass Mask (1984), Armored Troopers Votoms, Aura Battler Dunbine, and the list goes on. This year was a huge year for streaming classic 80’s anime in large part do to Hidive. And now Sentai/Maiden Japan are releasing a large chunk of these anime on blu-ray which is something I never thought I would live to see the day. You can buy the entire Space Runaway Ideon series on BD right now if you wanted to. What a time to be alive! Perhaps the biggest surprise was their acquisition of Armored Troopers Votoms, a show I wanted someone to license rescue for close to a decade now. I always regretted missing out on the original Central Park Media (man they don’t even exist anymore!) DVD release back in 2001. I always thought it would be Discotek coming to the rescue for Votoms, but you know what, I’m glad to see it was Sentai. The more companies putting classics on BD the better, I say.

I hope you all enjoyed my anime list and have a great new year! Happy 2019!!!